Paul H. Jacobson, Luthier

Custom Hand-crafted Guitars

Finishes

Gloss Lacquer

Sprayed lacquer is the most universally used finish among individual luthiers.  But it makes a big difference which lacquer is used and how it is applied and processed.

Satin Varnish

This finish as applied to soundboards is a process of my invention.  It rivals French polish for thinness and hardness, but it is much more durable.  Satin varnish is also available on necks.

Tung Oil

Tung oil is a readily available finishing material and is widely used in all sorts of woodworking projects to get a natural wood look and feel. I use it on the neck only.
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Guitarists' expectations regarding finish on their guitars have long been guided by the oldest widely used guitar finish of all, French polish.  French polish has a number of advantages for guitars

  • It can be applied in a thin build.  Thinness is a universally valued finish property among guitarists for optimal acoustic benefits.
  • It will dry and cure on rosewood.  Varnish applied without a shellac sealer will never dry on rosewood; it will remain tacky forever because of the unique properties of the wood resins.
  • The French polish application technique makes possible a smooth finished surface without the need of any tools other than the cheesecloth bun (called a "rubber") used to apply it.  The technique can also fill the notoriously large pores in rosewood to near-level.

There are several serious problems with French polish

  • It's very delicate in terms of abrasion resistance and doesn't wear well at all.
  • It is vulnerable to all sorts of chemicals, starting with water, human perspiration, alcohol, etc.
  • The technique is monumentally time consuming.  French-polishing an entire guitar takes many, many hours even for luthiers who have had lots of practice.

A French polish finish can be kept in good condition with occasional restoration, but this takes professional knowhow.  Most guitarists neglect this until the French polish is worn off down to bare wood, which then gets dirty and oily, making restoration much more difficult.  Because of all its drawbacks, I no longer offer French polish as an option on any part of my guitars.  The options I do offer, however, come really close to the good points of French polish.

While on the subject of finishes I DON'T use, the finish system known as catalyzed polymer (there are several types) bears mention.  This material is a clear plastic that starts as sprayed liquid and hardens because of an added substance called a catalyst, which reacts chemically with with the resin.  Catalyzed polymer is virtually the only type of finish used in guitar factories any more because it is so labor efficient.

This finish is also very toxic and requires special equipment and rigorous physical protection for applicators, including remote-air-supply breathing masks.  Because of its extreme hardness, it is essentially impervious to abrasive polishes and therefore cannot be processed effectively after application.   The worst deficiency of a catalyzed polymer finish, however, is that it is invariably very thick and must be so in order to end up level and glossy.  Almost nobody thinks this is a good idea acoustically.